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LAB FREQUENCIES LIVE at C4CC:
DÉRIVELAB Project 2_
Centre for Creative Collaboration, 16 Acton Street, Kings Cross, LONDON. July 2010
Links: http://www.a2arts.co.uk/nrae/
http://www.a2arts.co.uk/derivelab/index.html
DÉRIVELAB Project 2_
Centre for Creative Collaboration, 16 Acton Street, Kings Cross, LONDON. July 2010
Links: http://www.a2arts.co.uk/nrae/
http://www.a2arts.co.uk/derivelab/index.html
DériveLab: Project 2 deploys multimedia approaches to creatively inhabit the contemporary city. It seeks to negotiate a space for social and topographical experimentation using the concept of dérive, ('drift', 'drifting') as its point of departure. Acoustic sounds, sonic frequencies, film, photography, digital interactivity, kinetic media, performance, performative texts and dialogue will all be experimented with during this Lab project.
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Artaud: Terminal curses , end notes from the point of boiling.
The event was presented at The Theosophical Society in the Metaphisical library, 50 Gloucester Place, London W1
The event was presented at The Theosophical Society in the Metaphisical library, 50 Gloucester Place, London W1
'Sounds In-verse'
‘Sounds In-verse’ is a site specific installation. The sound piece is inspired by Artaud’s readings. I am interested in interpreting his extreme psychological state using electronic devices to engage the audience into a psychological journey.
The space of the library is treated like a ritualistic room, an open metaphysical theatre filled with sonic hallucinations. Voices inhabiting a wounded mind, a mind treated with electroshocks, affected by hallucinations and hurt by delusions.
I intend to emphasise the claustrophobic dimension of insanity, but also its brutal authenticity, its essence of truth that never stop to shake our sense of security.
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Image on the left: poster of the event
Image above: site specific installation in the Helena Petrovna Blavatsky's library |
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TEST! (Pt.1) - A Platform For New Sound & Performance
at Hatch Space Unit A 104 Faircharm Trading Estate 8-12 Creekside, Deptford, London
Hatch Space presents TEST! (Pt.1), the first of a series of performance evenings to promote the work of emerging sound and performance artists working in London. TEST! is a free laboratory where artists and performers can try out new work in front of a supportive live audience, take risks and push the boundaries of their practice and performance. Join us from 7 — 9pm on 2nd April for TEST! (Pt.1) to see new work by Angelo Madonna and Silvia Battista, Tomas Tokle and William Kherbeck.
'THE WAKING UP OF AN UNPLUGGED MIND' - (2011)
The Waking Up Of An Unplugged Mind is a work in progress toward a Pataphysical Theatre where the possibility is at play that actions, sounds, visuals and movements, apparently disconnected, may eventually construct meaning. Through the employment of electronic devices and hand made noise generators, Angelo Madonna, with the collaboration of Silvia Battista, will produce twenty minutes of Absurd Theatre with the desire that each participant will find some personal sense of order out of chaos.
Written and Designed
by
Angelo Madonna & Silvia Battista
Sound editing/Theremin
Angelo Madonna
Performers: Silvia Battista and Angelo Madonna
Link: https://www.artrabbit.com/events/test-pt1
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About CCW Digital Maker Week
The event is organised by CCW Digital Learning, Teaching & Enhancement at University of the Arts London (UAL) supports interest led digital interdisciplinary arts projects across Camberwell, Chelsea & Wimbledon Colleges of Art (CCW). With support from the UAL Learning Teaching Exchange ‘Staff & Student Collaboration Fund’ and SUARTS.
The event is organised by CCW Digital Learning, Teaching & Enhancement at University of the Arts London (UAL) supports interest led digital interdisciplinary arts projects across Camberwell, Chelsea & Wimbledon Colleges of Art (CCW). With support from the UAL Learning Teaching Exchange ‘Staff & Student Collaboration Fund’ and SUARTS.
CCW arts staff and students in collaboration with the tech industries and arts sector explore and critique digital making and emergent digital practice through regular interdisciplinary interest led group meet-ups and events. Specialist groups support and share unique perspectives of digital making in the arts and aim to foster a co-produced, participatory approach to public engagement and develop new research and perspectives on an enquiry led interdisciplinary curriculum.
Link: https://process.arts.ac.uk/content/day-2-ccw-digital-maker-week-internet-things-iot
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'Space has changed its texture' (2008)
The installation was conceived as two connected but separated tunnels through which members of the audience could travel. The process of the making was recorded and played back inside the tunnel immersing the audience into the temporal journey of making itself.
Below:
Mixed Media: wood frame, corrugated card board, brown packing tape, speakers, light.
Mixed Media: wood frame, corrugated card board, brown packing tape, speakers, light.
